It feels good to have a camera strap around my neck again.
This past weekend, I took to the streets of London for a long-overdue photowalk, with my Nikon F80 film camera and some trusted Kodak 5222 Double XX cinefilm. There is something uniquely grounding about the city’s pace when you’re viewing it through a viewfinder—the way the light hits the brickwork in Soho or the hurried energy of shoppers carrying Waitrose bags.
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Camera Santa was very kind to me this year, I was lucky to get a 28mm M mount lens for my Leica cameras.
The 28mm focal length is often called the "goldilocks" of street photography. It’s wide enough to capture the energy of a city street but tight enough to feel personal. Recently, I took my Leica M10 paired with the tiny TTArtisan 28mm f/5.6 for a spin through the heart of London to see how this modern "tribute" lens handles the grit and glamour of the capital.
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This blog-post is uploaded with a heavy heart, following the untimely passing of Martin Parr in December 2025.
This is the second instalment of our Past Masters series, we delve into the saturated, often uncomfortable, and undeniably witty world of Martin Parr. If there was one photographer who defined the "British look" of the late 20th century, it was Parr—a man who turned the mundane into the magnificent and the grotesque into the high-art gallery.
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There’s a particular energy to photographing a port city—a sense of history anchored to the sea, mixed with the transient, hard-edged reality of a place that lives by trade and naval tradition.
Having originated from a small landlocked West Midlands town, I find the allure of a port / seaside location alluring when its outside of the ‘high season’.
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This post is a little delayed, as I wanted to wait until I received my developed film negs from the photo lab.
The August Bank Holiday weekend in Brighton has always been special, but this year it was truly historic. The Brighton Mod Weekender, the annual pilgrimage for Mods from across the globe, celebrated its 20th anniversary from August 21st to 24th, and the city was buzzing with more style, music, and scooter pride than ever before.
Its a blend of old timers reminising of the past and generational newcomers. All parading around as proud as peacocks.
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For years, my photographic journey has been linked to the tactile precision of the Leica system for both my M10 and M6. Zone focusing and manual exposure. I haven’t been one to embrace or use the Sunny 16 rule. The deliberate, fully manual approach of the rangefinder has been my constant companion, a testament to the joy of slowing down and truly making a photograph.
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A short video of my photowalk at Brighton Pride 2025 on Saturday 2nd August 2025.
Taken on my Leica M10.
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A short video of my photowalk at Brighton Pride 2025 on Saturday 2nd August 2025.
Taken on my Leica M10.
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