In the vibrant, chaotic symphony of contemporary street photography, few voices resonate with the quiet confidence and cinematic depth of Eduardo Ortiz. A Chilean-born wanderer, Ortiz transforms everyday urban moments into visual poetry—layered, color-drenched compositions that feel both spontaneous and meticulously orchestrated. His work doesn't just capture the streets; it breathes life into them, inviting viewers to linger in the beauty of the ordinary. For our "Modern Masters" series, we dive into the world of this influential photographer whose rise from multi-talented nomad to global workshop leader exemplifies the power of passion, persistence, and an unerring eye for light and color.
Read More(Self) Reflection
Whilst I am one to (try and) consciously avoid GAS (Gear Acquisition Syndrome), there are instances when this allows you to look at the same thing in a different light, to give a fresh perspective.
I say this as this is something that I had endured in the past. Chasing camera brands, lens, tripods, £££$$$!
Read MoreGAS isn't good, but photobooks are.....
This is my first blog on the new website.
The last 2 years, I have been predominantly shooting film in either 35mm or 120mm. I have loved the experience. It’s been a double benefit, for slowing me down and also chimping.
Of late I thought I would purchase a couple of photobooks, to develop my craft. Having read plenty of reviews, I decided on ‘The Suffering of Light’ by Alex Webb.
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