For years, my photographic journey has been linked to the tactile precision of the Leica system for both my M10 and M6. Zone focusing and manual exposure. I haven’t been one to embrace or use the Sunny 16 rule. The deliberate, fully manual approach of the rangefinder has been my constant companion, a testament to the joy of slowing down and truly making a photograph.
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March 2022 provided an update for a couple of bits in my photography stable, which were long overdue.
Namely my new approach to sourcing colour film and how I develop it. Also my new process for scanning all my film.
I thought I would write this blog post, as I am sure there are a couple of take aways for other film photographers, or points to consider.
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I’ve been using a bulk film loader for my black and white film, for the last 4 years, coupled with developing and scanning my own film its a real A to Z process of film photography. Thoroughly engaging and cheap!
Whilst the investment into the system is c. £150 (£60 for the bulk loader, £20 for the reusable canisters and then a bulk roll of film), the (financial) benefits are soon reaped.
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I’m frantically getting out and about before lockdown 2.0 or the weather puts a stop to it, the idea is to build a catalogue of photos to edit over the winter.
Yesterday was pretty pleasant in Brighton. Folk out and about enjoying the last rays of summer / autumn sun rays.
Whilst I am one to (try and) consciously avoid GAS (Gear Acquisition Syndrome), there are instances when this allows you to look at the same thing in a different light, to give a fresh perspective.
I say this as this is something that I had endured in the past. Chasing camera brands, lens, tripods, £££$$$!
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